Longtime friend of the Remnants, Michael Salfino tackles what turns out to be a more interesting question than it seemed on first hearing. How great was Paul McCartney’s solo career compared to the Beatles?
You can read Michael’s thoughts here: https://www.pastemagazine.com/articles/2018/07/reassessing-paul-mccartneys-solo-career-successful.html
For my part, I think McCartney’s best solo song is Maybe I’m Amazed, but I also think Silly Love Songs is a brilliant bit of self-referential pop fluff (with a side of self referential sarcasm).
Michael doesn’t point out that Sir Paul is the only Beatle to record songs with Elvis Costello, Kanye West, and (the remains of) Nirvana. Constantly exploring, working, imploring, McCartney’s career has been admirable, even when the music is less successful. It’s hard to always write and perform great music.
And for pleasure? This one:
Michael is a friend of Remnants, and has categorically decided who is greater, the Beatles or the Stones.
Michael and I went to a show with Mike Meyers, the Spy Who Shagged Me, at the NY Public Library a few years ago, that tried to answer the same question.
Michael’s approach here is a little more data driven than Mike’s (and his brother’s), and at the same time just as arbitrary as everyone else’s. The problem, I think, are the categories. Deriving anything from the Rock ‘n’ Roll Hall of Fame is bound to get you in trouble.
Best Run of Albums
I don’t know. It’s hard not to shape the questions to fit the answer you want to give, though I think the answer is the Beatles, even though the Stones are my more favorite band.
Try going with my categories and Michaels and see if you can up with different answers?
It could easily be a tie.
I read this story about doing yoga to doom metal. It’s really well written and funny, with good unironic pictures. And it mentions Sleeper, who aren’t a band I will ever listen to again, probably, but I’m glad I got a taste. I’m thinking of doing a pose, just not sure which one.
They came from LA in 1983. Jon Pareles, NY Times rock critic then and now, wrote about their show at the Mudd Club. They did indeed do a fine job imitating the Velvet Underground back then, as I learned a few days later at their show at Gerdes Folk City.
Their second album, Medicine Show, was produced by Sandy Pearlman, of Blue Oyster Cult fame, who had a few years had produced the Clash’s Give ‘Em Enough Rope. Medicine Show sounds harder than Days of Wine and Roses, their debut. I put the record on the other day, for the first time in probably 30 years and liked this one right off the bat.
I hadn’t seen Trump read this poem until today, after reading about the Oscar Brown Jr’s song, where it came from and where it has ended up. Appalling.
Read the story here, and listen to clips of Brown, Al Wilson, and Donald Trump. Each version is very different from the others.
A NY Times writer explores Spotify data and finds that classic songs are generally most popular with people who were teenagers when the songs came out. We knew that, generally, but he has the numbers.