Two Year Old, Glory Days (car karaoke)

Cute video making its way around the way things make their way around today.

No doubt, this song is hooky as heck, and I think the two year old gets it right. When asked to sing “throws that speedball by you, makes you look like a fool,” the tyke seems a little nonplussed.

Either he knows that a speedball is a shot of half heroin and half cocaine, or…

He knows no one in baseball calls a fastball, even a hot one, a speed ball.

Here’s what Paul Dickson says in the Baseball Dictionary:

speedball n. the fastball

Alright, okay, maybe I’m wrong. But I’ve never heard anyone ever call a fastball a speedball. Except Springsteen. This has always struck me as one of the jankiest lyrics by a guy who usually gets it right.

Amuse Bouche: Pop Pandering

This little vid is so right on about how I feel about how Spirit in the Sky and that “I got a friend in Jesus” and other crap stuck in a pop song. Hardly spiritual like Beethoven or Eno or Grieg’s Piano Concerto in A Minor which don’t even have lyrics.

But, even more than reflecting Spirit in the Sky, this clip says so how we are as a stupid culture of sheep.

Joan Jett turns a world on with her smile.

I posted here about a Husker Du cover the Mary Tyler Moore show theme song a few years ago. Not sure why, at that point.

This week, Mary Tyler Moore died. Which is a reason think about her. That is why we die, right? We hope someone thinks about us.

In my life I thought a lot about Mary Tyler Moore. I loved the Dick Van Dyke show, I loved the Mary Tyler Moore Show, I liked that she made an issue of Pale Male. MTM ranks in my pantheon of cultural gods, a list I should probably inscribe on the surface of excellent knishes. Or something.

Enjoy the clip, which I think shows just how essential Joan Jett is and how unfortunately that didn’t change the world.

Everything Changes, Nothing Changes

The most surprising aspect of our Spotify subscription is that Diane is crazy for it. She is admittedly not a music junkie like any of us here at the Remnants, in fact I asked what artists she followed and she promptly replied, “none.”

She just likes listening to playlists with high energy stuff she can work out to, and soul and funk from any era she can bop to while driving her car. But, I was surprised when she sent me a link to a song the other day, and I could not help but think of the song as analogous to other generations of horny post pubescent music junkies.

The first instance of song where boys are pleading for sex I could think of was the wonderful Good Golly Miss Molly by the one and only Little Richard, who was certainly clear about the whole sex/music thing in the fifties. This was at a time when saying words like “panties” were verboten on screen, for example, as shown in this clip from the Otto Preminger’s 1959 film, Anatomy of a Murder.

This clip of Richard, covering his tune, released in 1958, a year before Anatomy of a Murder came out, speaks for itself with respect to lyrical content, but this  clip was so perfect, as it is Richard live, playing for Muhammad Ali’s 50th birthday. And, well I have been thinking a lot about the loss of the great Ali as well as that of Prince, recently, and what a huge loss to our planet their spirits is.

The 60’s were not much better, and though this is indeed my favorite song by the Beach Boys, it is so lily-white in the Pat Boone’s cover of Little Richard’s Tutti Fruitti, sense, it makes my skin crawl. But, Brian Wilson could only hint at a time when “making love” still was kind of like Laurence Olivier suggesting the wooing of Joan Fontaine in Rebecca meant sweet talk behind a potted plant.

Here is the Beach Boys supporting that in the middle class white world very little changed over the 20 or so years between Rebecca and Don’t Worry Baby (which included that awful Boone shit in the middle of the time span). By the way, I love the song, but is this the worst “video” ever?

But, 50 years after Don’t Worry Baby, reality has struck and the world has simultaneously gone to hell in a hand basket, as witnessed by this song, by Strip Johnny, that popped up on Diane’s “Discover Weekly.” She heard it and  just had to share with me.

Truth is, I really like this last song a lot! Not as much as Little Richard, though. At least not just yet.