He’s pissed. The sound isn’t great, but the spirt is clear.
Here’s the original version. Better sound, and you can get the lyrics if you click through YouTube.
Looking at the picture sleeve, which I think I have a version of, the A-side was I Want You Back. How about that cover?
Zappa’s big band covers this idiosyncratic hit from the Beatles, and makes it their own. I think they also prove how solid it is as a piece of music, maybe even a song, not just buffery from the cult of the Fab Four. It’s silly, sure, unless the Walrus really is Paul, but catchy.
The lone cover from the band’s debut elpee, Blank Generation, seemed unlikely. Creedence? Until you hear it.
The Voidoids take the pounding rhythm from the original, cut the running time in half by getting rid of a long instrumental break in the middle, and replace John Fogarty’s growling defiance with Hell’s skreechy pleading. Different approach to the guitar solos, too. It works.
The story I remember is that Patti Smith was recording in the same studio as Bruce Springsteen, she heard this song and put out her own version. Without approval, just hijacked it.
I’ve read Bruce’s autobiography and Patti Smith’s books and I don’t know what the truth is. Maybe I knew once, but now, I like my memory. What I do know is that this is one of the Boss’s best songs. And one of Patti’s best songs. It has become a collaboration.
So, today I was listening to the Screaming Females, a New Jersey band who have made seven albums. I don’t know that much about them, but as a rock band they’re pushing a big rock up a steep hill.
And I stumbled upon their collaboration with 90’s indie band Garbage on a cover of the Boss’s song.
It’s still a good song, but I don’t know. This makes me want to hear Patti and her group.
I stumbled across this a couple days ago. It’s a curiosity, the least Chuck Berry-ish Chuck Berry cover I can think of. Hearing Waylon’s version in Steve’s recent post, I couldn’t resist. This version doesn’t sound like this because Simone couldn’t rock ‘n’ roll, it’s because she chose not to.
Is there a hotter true rock band these days than Greta and her young (Van) Fleet? These guys are gonna be BIG if they’re not already. Almost saw them months ago in some little club in Lancaster for like $15 but by the time I found someone to go, tix were like $150.
Heard this recently and like it pretty good. A little like if prime Zep covered the Genie.
Here’s one that’s definitely grown on me over the years. The noisy guitary chorus with the Keith Moon drums doesn’t feel right at first and takes some time to get used to. But what the hell. . .
There’s a lot of Springsteen love on this site and I figured this might be something them lovers ain’t heard, since Bruce didn’t let Kevin Rowland include this on his album of covers (that infamous album with Rowland in crazy drag) due to Rowland’s lyrical changes.
Found this while searching for Janis Joplin at Hellacopters gigs.
My apologies to all the other Remnants for not commenting (posts have been extra interesting and comment-worthy lately), but my comment tool is broke – no kidding – and Peter is working hard to fix it.
Last Kiss made me think of Last Caress, which led me to this.
This guy can play my coffee house any day.
A few weeks ago I heard the current Dead Boys (Cheetah Chrome, Johnny Blitz and some other guys) totally remade the first album Young, Loud and Snotty. The reviews on Amazon are pretty horrible, so I stayed away.
Once down this remakes rabbit hole I found out there’s a band who did a somewhat well-known remake of Rocket To Russia. The Amazon reviews for that aren’t quite as bad but the gist is mostly, “just listen to the real Rocket To Russia instead.”
The best of this ilk from a critical perspective is a band called The Vindictives’ remake of Leave Home. It receives Amazon kudos for not simply trying to re-do The Ramones and rearranging the songs, etc.
So my CD arrived yesterday – more expensive than the usual as it came all the way from Japan. Popped it in today and it’s disappointing. Valiant effort, I guess, but the singer is damn annoying. A combination of the male Rezillos singer, who sounds good in The Rezillos, and Darby Crash, who rarely sounds good ever, but that was kinda his schtick.
Oh well. Another experiment bites the dust. If you need anything it’s this album-opening version of Pinhead. Cute idea to intersperse Freaks audio clips. I made it about halfway through the album as I increasingly thought, “I really should be listening to the real Leave Home.”
Funny, if I’d heard this version out at a bar somewhere, I’d have gone crazy chasing down the source of this “cool” other version. As they say, often the chase is better than the catch.
If nothing else, it beats The National doing The Ramones.