Live in 2009. The music is good, but do the Specials seem like a multiracial band? And is Amy really a part of all this?
I like the music, I love the song Ghost Town, and I’ve become a huge Winehouse fan. She is amazing. But there was a missed opportunity here (and it was a bit odd just how the crowd was). Not blaming the band, but wasn’t the goal a more integrated following?
Never lived there, and yet this old one seems to get it right. For live on Long Island as well.
That’s what Lawr posted about. I’m with him on Locomotion. Here’s his post about songs that grabbed him immediately. That’s a great idea, and I’m with him on Complete Control, maybe the greatest of the great Clash’s cuts.
I think he’s out of his mind on the Peter Gabriel, but that isn’t my call. What is my call is this is No. 1, without a doubt. Changed my life. Really.
But the Beatles were huger.
I tried to write about this song as politics, because clearly Buck’s perspective on the benefits and costs of welfare in 1966 were courtly and open-armed. At least until he got a hug in and a kiss. But clearly Buck’s metaphor is romantic, not political, and it better serves this funny novelty to remind us that there was a time, say 1966, when the basic idea of government services providing a safety net and a leg up were not seen as some sort of political litmus test. Even if he’s driving a Cadillac.
I don’t think the general population disagrees with this any more than they did back then, but the schism is much more sharp today.
In any case, back in those simpler times a crazy extended metaphor could spend ten weeks at No. 1, and Big Government looked a lot like busted love.
So likeable, and pretty revealing, too. Which goes together.
Another clip from the McCartney tribute at the White House, with Dave Grohl playing Band on the Run. Not an easy thing.
The impressive thing is the band. Who are those guys? Great stuff.
So, this was from a live tribute to Paul McCartney at the White House. It has the White House logo on it.
It’s new to me. And wildly spirited and emotional, partly because Costello’s mum’s connection, but also because Costello is full of fire. And so is the band, especially the horn player, who comes from the president’s own band.
This is good stuff.
We knew this was coming. The Big A claimed him some years back and he had a dignified last stand.
But today, my first thought was Gentle on My Mind, which is I think the first time I ever knew his name.
My second thought was watching them shoot Rhinestone Cowboy, the movie, on Bank Street. By them I mean Dolly Parton and Sylvester Stallone.
My third thought was plumbing the depths of Campbell’s time in the Wrecking Crew and the Beach Boys.
But finally, really, this bit of corny soundtrack to a good movie he starred in and contributed the soundtrack is a testament to his giant talent and versatility and big hearted spirit. A little more country than rock ‘n’ roll, a little more mainstream than any of us would like, he cut a big swath across the culture. Good for him.
Ry’s son Joaquin is playing drum. It’s simple, but soulful. I love these guys, for this reason.
Here’s a clip from something I’m amazed by. Elvis Costello hosted a TV show for a couple of years, and it is really good.
Nick Lowe shows up and sings his song the Beast in Me, which is pretty powerful. But the conversation matters, too. Like, what does it cost (or gain) a bass player to sing lead? Here’s an answer.