Clapton/Gibson/Fender

I’m not much of a Clapton fan. As a matter of fact, anything he did in the past 25 years I likely don’t know.

But there’s a new Showtime doc on Clapton that you guys are bound to run into pretty soon. I stumbled into it and was interested enough to stick with it from about Cream through the middle of Clapton horndogging after George Harrison’s wife. Switched to the local news then, but I recorded it to watch the rest of what I want to later.

Anyway, Clapton went to see the Allmans. which led to the recording of Layla, of course. What struck me was a quote from Duane Allman saying something like, “I played the Gibson all the way through and he played the Fender all the way through.”

The movie then plays the Allman Layla guitar track naked and I never realized how much that gritty Gibson undertune contributes to the greatness of the song.

Forgive me if this is common knowledge to the Dave Marshers. I point it out because the Dave Marshers usually point out stuff like lyrics and jazz.

I’ve always been a Gibson man.

Wish I had the naked Allman track, but the best I can do is the whole song. Hopefully you can pick out the Gibson base guitar part (not bass guitar part). Watch the movie.

2 thoughts on “Clapton/Gibson/Fender

  1. There’s a great documentary about one of the great producers, “Tom Dowd and the Language of Music” in which Dowd recounts the recording of “Layla” and Allman’s role in it. Dowd does so as he sits before a deck, working the sliders, fading the parts in and out and its hair-raising in the best possible way.

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