Afternoon Snack: Fleetwood Mac, “Showbiz Blues

Dust is some nasty shit. Swear.

I did a lot of cooking this morning. I don’t really have any family in this country, so fortunately, my late wife, Cathy’s, family decided to hang onto me.

the mac

I say this because Cathy’s mom, Edie, turns 80 on Monday (go girl!), and later today we have a celebration planned.

Where the dust comes in is that Thursday morning, as part of the spate of rain we have been jonesing for in Northern California for the past six months, it got cold where Cathy’s brother, Eric, and his wife Jill (these would be Lindsay’s folks) live, and Jill slipped on some black ice. The results were a broken wrist and fractures to her cheek (hopefully she won’t need surgery there), meaning a nasty fall.

This meant a couple of things: first, Jill is on a soup diet for a spell, and second, Jill always makes birthday cakes (except for her birthday, when I do it) and well, no way that was going to happen.

So, I took it upon myself this morning to both bake Edie her cake (blueberry-buttermilk bundt with glaze), and also make some soft stuff Jill could eat (creamed spinach, honey-pepper-cheese grits, and tomato basil soup). If you don’t get this yet, I really love to cook, so I had a good time doing this.

But, inspired both by Peter’s posting of I’m in Love With My Car, and Tom’s Sometimes Good Guys Don’t Wear White, I decided to fire up the turntable while cooking for a few hours, and listen to some stuff I had not heard for a while. Plus, I like vinyl.

I started with A Night at the Opera, per Peter, and it was so fun. Death on Two Legs is wonderful, as is Sweet Lady (“you call me sweet, like I’m some kind of cheese,” what a line), and then I went to the first side of Jesus Christ, Superstar (sorry, guilty pleasure, but the band is killer, and well, it is sentimental for Diane and me), t0 Their Satanic Majesty’s Request (who hoo, In Another Land, and Citadel), then Boston’s first (sorry, another guilty pleasure, but a fun guitar album), Idlewild South, and finally to Then Play On.

When I first bought it, Then Play On was my favorite album, and it was followed by Kiln House.  I cannot remember which, but I believe one of those made my 50 essentials.

Then Play On is really Peter Green’s album, and a beautiful one it is. So vast and varied, and well, it has the iconic Oh Well, but that is not even my favorite cut on the album. In fact, I don’t know what is.

But, where the dust comes in is I have not played a few of these albums in a while, maybe 20 years, and I cleaned them before playing, but they had so damn much dust, it took playing the sides or songs a few times before I could get a real listen.

But, it was worth it. This recording is really just the studio one from the album, but it has two-plus minutes of stoned out banter and mistakes before the song gets underway (which was the song on the album after Show Biz, and I tried to find a pairing because the two work so well together), but it is pretty good fun.

We will get to more of the Mac, one of the most interesting bands of all time, another time.

For now, dig Peter A, whom if you listen, Santana got his sound from.

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